That Drifting Excrement Was Far Too Meaningful! These Are the Television Disappointments of the Past Year.

As we consider the TV landscape of the recent year, a handful of series emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that left us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Plagued with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final season started, it seemed as if it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator announced this would be the final series. It ended on a bum note; the lingering shot of Miranda’s loo full of poo was simply too on-the-nose. Yet, fans certainly found joy dissecting every single “wtf?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the smallest of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was difficult to know where to start listing the flaws. The hilariously leaden writing? The mind-numbing veneration of affluence and materialism? The almost deliberate parade of cliches? Performances so poor they felt borderline spiteful? Let’s just say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any pity this series might evoke should be saved for the people who have had to suffer close contact with this charming but flippant egotist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of pure admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy characters convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were plenty of other problems. Primarily that it was just profoundly boring; a conflict over narcotics territory between various cockney picaresques which felt a bit basic.

With Love, Meghan

Considering the degree to which she grinds the gears of the nation’s ostentatiously angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you watch them and are forced to concede that actually, they may have a point. It’s like watching a lifestyle catalogue animated; a meme for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be discussed about both Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this documentary series opted not to say them. Rather, the experience was like consuming a sales brochure. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The series ended up reeking of a production that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the smart inclusion of gifted emerging comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply inspired the thought that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right tone, lumbering from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A complete mess? Very much so.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? Nope! This globe-trotting thriller about government agencies targeting – and eliminating – academics frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more interrogation of her true psyche, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was disturbing imagery and absolutely no interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Sandra Brown
Sandra Brown

Automotive engineer with 15 years of experience in electric drivetrains and robotics.